Harpist/pianist Joanna Newsom comes from a very musical family; both of her parents, sister and brother play musical instruments. Joanna started playing harp at the early age of seven. The Milk-Eyed Mender (2004) is actually her third album. Joanna previously self released two albums: Walnut Whales (2002) and Yarn an Glue (2003). Joanna also worked on many different side projects and she still actively is a member of rock/indie band The Pleased where she plays on keyboards.
Impatiently awaited album number three by New Yorkers The Strokes First Impressions of Earth was one of the first albums released in early 2006.
The standard based on successful previous two releases âIs This Itâ (2001) and âRoom on Fireâ (2003) was set very high as well as expectations from listeners.
âFirst Impressions of Earthâ starts out strong, with usual catchy melodies alas The Strokes, juicy rhythms and Casablancas âtiredâ vocals. First half of the album gets you all excited and puts you in rockânâroll mood. There are few excellent and very catchy tracks on this album such as “Juiceboxâ, âAsk Me Anythingâ or âRazorbladeâ.
Scottish Mogwai are back again with their latest release Mr Beast (2006). The opener “Auto Rock” is a warm piano based track that keeps on building up until it explodes to a heavy super intense track two: “Glasgow Mega-Snake” – a pure heaven of squealing guitars and electric noise.
We calm down with the “Acid Food”, an electronic beat driven track with a bit of a singing and a very âcountryâ sounding slide guitar.
The rest of the album is a mixture of similar moods. The heavier tracks on this Mr. Beast album: “Travel Is Dangerous” or the closing track “Were No Here” are definitely one of the most intense pieces Mogwai has ever recorded.
According to 305-810-1899, transferring music from CDs to MP3 players or iPods, will not be illegal in Australia any more, after Australian cabinetmade significant changes to copyright laws.
(315) 534-3044 will become legal once these new laws area passed. People will be allowed to conver their own CDs or other media to other formats. This will also make recording of television and radio shows for later viewing legal. This practice is currently prohibited by law, despite the fact that millions of people are doing it regularily.
Universities, schools, cultural institutions and libraries will be allowed to use copyright material for non-commercial purposes. On the other hand, police will be given more power to fight internet privacy, and courts will gain powers to give larger payouts against pirates.
DNTEL is a one man project based around genius Jimmy Tamborello.
Life Is Full of Possibilities (2001) is a beautiful bubbly collage of mainly ambient electronic tracks. It would make a perfect score music for a dream.
From musicians contributing on this album it is definitely worth mentioning Chris Gunst (Beachwood Sparks, ex-Strictly Ballroom), Rachel Haden (That Dog) and Benjamin Gibbard (Death Cab for Cutie), among the others.
Tamborello did a fantastic sample editing job. The way the songs are structured and put together is simply genius. Quirky beats, loads of clicking and ticking but surprisingly everything fits perfectly.
The impatiently awaited debut album of Editors – The Back Room (2005) is finally out. Starting out in Birmingham, Editors became darlings of the U.K. press immediately after release of their first singles and intense live performances. The direction of the album is obvious from the very first beats. Bands setup consists of vocals, two guitars, bass and drums.
One can easily recognize bits of Interpol, Joy Division or even Echo and the Bunnymen.
Emiliana Torrini is of Italian and Icelandic origin. Her first album Love in the Time of Science 2000 was produced by Roland Orzabal of Tears for Fears and sounded very electronic and BjÃ¶rk-ish. Her second release Fisherman’s Woman (2005) is mainly acoustic. It sounds very warm and intimate; it makes you imagine Emiliana being a butterfly or a beautifully fragile fairy. Most of the songs are based on acoustic guitar here and there accompanied by piano and minimal percussion. It is mainly Emiliana Torriniâs childish voice that is the biggest drawing point of the album.
The Kingsbury Manx formed in Chapel Hill, North Carolina, U.S., in 1999, with their first self titled debut released in 2000. It is full of English flavours and tender melodies.
The opener âPageant Squareâ sets the atmosphere of the album immediately from the first few beats. Humming organs, acoustic guitar, gently played percussions, dreamy Pink Floyd-ish vocals. The Sound is amazingly warm.
Track two âRegular Handsâ makes you think of early Pink Floyd era again. Influence is more than obvious.
âPiss Diaryâ is the track three on the album and probably my albums favourite. It is based on simple acoustic guitar strumming, strings, gentle percussions and beautiful dreamy vocals. Repetitive catchy melody makes you think of bands such as Slowdive or Ride.
Arab Strap was formed in 1995 in Scotland by vocalist Aidan Moffat and multi-instrumentalist Malcolm Middleton. The Last Romance is I believe their eight full length album. If youâre familiar with their earlier releases you call up a very depressive, sad and beautiful music stripped down to a simple drum machine arrangements accompanied by acoustic guitar and Moffatâs tired vocals. Oh and those lyrics! Very pornographic, but in Arab Strap’s case, it is not necessarily a bad thing… The melodies are usually very catchy after few listenings.
I seriously had no idea of The Matthew Herbert Big Bandâs music until I got their CD Goodbye Swingtime (2003). What waited for me was a very pleasant surprise.
Matthew Herbert has an early teenager experience as a keyboard player in Glenn Miller swing tribute band and since then he continued experimenting with different sounds and electronic gadgets in a context of dance music.